The Tango in the United States: A History

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McFarland, 2018 M01 16 - 239 páginas

In the earliest years of the 20th century, North American ballroom dancers favored the waltz or the polka. But then a new dance, the tango, broke onto the scene when Vernon and Irene Castle performed it in a Broadway musical. Rudolph Valentino, Arthur Murray, and Xavier Cugat popularized it in the 1920s and 1930s, and thousands of people crowded onto dance floors around the country to hear the music and dance the tango.

This work chronicles the history of the tango in the United States, from its antecedents in Argentina, Paris and London to the present day. It covers the dancers, musicians, and composers, and the tango's influence on American music.

 

Contenido

Acknowledgments
1
World War II and Later
19
The Pros and Cons
33
6
41
The Key to Change
53
Music with the Scent of Tango
68
Tango Valentino
75
The Orquesta Típica Select
92
The Arthur Murray Studios
107
Xavier Cugat Tango Rumba and Chihuahuas
118
Carlos Gardel Enters the Arena
128
More Argentineans in New York
137
The Return of Juan Carlos Cobián
150
20
168
21
181
22
190

Pianist and Don Juan
98

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Acerca del autor (2018)

Carlos C. Groppa is the editor of Tango Reporter, a member of the Academia Porteña del Lunfardo of Argentina, and a recipient of the Carlos Gardel Lifetime Achievement Award. He lives in Los Angeles, California.

Información bibliográfica