Hitchcock: Past and Future

Portada
Richard Allen, S. Ishii-Gonzalès
Psychology Press, 2004 - 284 páginas

This new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films such as Notorious and The Birds alongside lesser-known works including Juno and the Paycock and Frenzy. Articles are grouped into four thematic sections: 'Authorship and Aesthetics' examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. 'French Hitchcock' looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. 'Poetics and Politics of Identity' explores the representation of personal and political in Hitchcock's work. The final section, 'Death and Transfiguration' addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece Psycho.

 

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Contenido

Introduction
1
PART II
5
A tale of two cities London and Los Angeles
15
Notorious Bergman and the closeup
64
the unrealized projects
85
Bazin Chabrol and Truffaut encounter Hitchcock
109
Chabrol and Rohmers
119
Hitchcock with Deleuze
128
sound aesthetics and public
164
Hitchcocks legacy
179
the performance of Irish identity
193
Hitchcock and hommosexuality
211
Death drives
231
Hitchcock
243
Index
275
Derechos de autor

the struggle for harmony in Vertigo
149

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