My Mother ; Madame Edwarda ; And, The Dead Man

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Marion Boyars, 1989 - 222 páginas
These three short pieces of erotic prose by one of France's most challenging and controversial authors fuse elements of sex and spirituality in a highly personal vision of the flesh. They present a world of sensation in which only the vaulting demands of disruptive excess and the anguish of heightened awareness can combat the stultifying world of reason and social order. Each of the narratives contains a sense of intoxication and insanity so carefully delineated by the author that it seems to infect the reader.

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Georges Bataille was a French poet, novelist, and philosopher. He was born in Billon, Puy-de-Dome, in central France on September 10, 1897. His father was already blind and paralyzed from syphilis when Bataille was born. In 1915, Bataille's father died, his mind destroyed by his illness. The death marked his son for life. While working at the Bibliotheque National in Paris during the 1920s, Bataille underwent psychoanalysis and became involved with some of the intellectuals in the Surrealist movement, from whom he learned the concept of incongruous imagery in art. In 1946 he founded the journal Critique, which published the early work of some of his contemporaries in French intellectual life, including Roland Barthes and Jacques Derrida. Bataille believed that in the darkest moments of human existence-in orgiastic sex and terrible death-lay ultimate reality. By observing them and even by experiencing them, actually in sex and vicariously in death, he felt that one could come as close as possible to fully experiencing life in all its dimensions. Bataille's works include The Naked Beast at Heaven's Gate (1956), A Tale of Satisfied Desire (1953), Death and Sensuality: A Study of Eroticism and the Taboo (1962), and The Birth of Art: Prehistoric Painting (1955). Bataille died in Paris on July 8, 1962. Yukio Mishima, the pseudonym for Hiraoka Kimitake, was born in Tokyo in 1925. His work covers many styles: poetry, essays, modern Kabuki ja Noh drama, and novels. Among his masterpieces are The Temple of the Golden Pavilion, and the four-volume novel Sea of Fertility, which outlines the Japanese experience in the 20th century. Each of the four volumes in this series has a distinct title--Spring Snow, Runaway Horses, The Temple of Dawn, and Five Signs of a God's Decay--and they were published over a six-year period, from 1965-1970. Mishima's plays include Tenth Day Chrysanthemum, and the Kabuki piece The Moon Like a Drawn Bow. Although Mishima was been nominated three times for the Nobel Prize for Literature, he never received it. Nevertheless, he is considered by many critics as one of the most important Japanese novelists of the 20th century. Yukio Mishima died by his own hand in 1970, committing seppuku (ritual disembowelment).

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