| 21st-century musical instruments by Jon H. Appleton - 1989 - 30 pages |
| 21st-century musical instruments by Jon H. Appleton - 1989 - 30 pages |
| 75 Jahre Musikwissenschaft an der Martin-Luther-Universität by Martin-Luther-Universität Halle-Wittenberg - 1990 - 71 pages |
| A bibliography of computer applications in music by Stefan M. Kostka - 1974 - 58 pages |
| A bibliography of computer music by Sandra L. Tjepkema - 1981 - 276 pages |
| A bibliography of electronic music by Lowell M. Cross - 1967 - 126 pages |
| A composer's notes on the development and implementation of software for a digital synthesizer by Neil B. Rolnick - 1978 - 10 pages |
| A descriptive notation for electronic music by Brian Fennelly - 1968 - 320 pages |
| A dictionary of electronic and computer music technology by Richard Dobson - 1992 - 224 pages |
| A guide to computer music by Donald P. Kozak - 1992 - 125 pages |
| A notational system for live electronic music by Walter James Harvey - 1979 |
| A one card 64 channel digital synthesizer by Giuseppe Di Giugno, Hal Alles - 1978 - 2 pages |
| A provisional list of electronic music compositions by Sven Hostrup Hansell - 1967 - 116 pages |
| A survey of computer applications in music, musicology, and audio signal processing by David Brian Harrison - 1978 - 287 pages |
| A synthesist's guide to acoustic instruments by Howard Massey, Alex Noyes, Daniel Shklair - 1987 - 224 pages |
| A technical explanation of Theme and variations by Tom North - 1985 - 104 pages |
| Ableton Live 2.0 Power! by Dave Hill - 2003 - 319 pages |
| Acid Power! by Dave E. Franks - 2001 - 308 pages |
| Acid Power! by Dave E. Franks - 2001 - 308 pages |
| All Music Guide to Electronica by Vladimir Bogdanov - 2001 - 688 pages |
| An analytical system for electronic music by William Moylan - 1983 - 484 pages |
| An avalanche by Lejaren Hiller - 1971 - 52 pages |
| An experimental electronic violin by Sydney Thayer Fisher - 1957 - 188 pages |
| An individual note: of music, sound and electronics by Daphne Oram - 1972 - 145 pages |
| An introduction to the creation of electroacoustic music by Samuel Pellman - 1994 - 441 pages |
| An overview of current practices regarding the performance of electronic music by Samuel Frank Pellman - 1978 - 153 pages |
| Analog Days by T. J PINCH, Frank Trocco, T. J Pinch - 2009 - 384 pages |
| Analog Days by T. J Pinch, Frank Trocco - 2004 - 368 pages |
| Analog days by Trevor J. Pinch, Frank Trocco - 2002 - 368 pages |
| Analog days by Trevor J. Pinch, Frank Trocco - 2002 - 368 pages |
| Analog electronic music techniques by Joel Naumann, James D. Wagoner - 1985 - 423 pages |
| Analog electronic music techniques by Joel Naumann, James D. Wagoner - 1985 - 423 pages |
| Ang bayan ko at lupa by Noel G. Cabangon - 2005 - 247 pages |
| Animus 2 by Jacob Druckman - 1973 - 31 pages |
| Antiphony III by Kenneth Gaburo - 1977 - 47 pages |
| Antiphony III by Kenneth Gaburo - 1977 - 47 pages |
| Aprikosenbäume gibt es, Aprikosenbäume gibt es by Rolf Riehm, Inger Christensen, Bernhard Martin - 2006 - 21 pages |
| Arctic dreams 1 by Christos Hatzis - 2007 - 18 pages |
| Aria no. 4 by Elliott Schwartz - 1972 - 6 pages |
| Armageddon by Henk Badings - 1968 - 24 pages |
| Arranging in the Digital World by Corey Allen - 2000 - 78 pages |
| Arranging techniques for synthesists by Eric Turkel, Elizabeth Smith-Eisenhower - 1988 - 144 pages |
| Arranging techniques for synthesists by Eric Turkel, Elizabeth Smith-Eisenhower - 1988 - 144 pages |
| Ars electronica by Internationales Brucknerfest, Linzer Veranstaltungsgesellschaft - 1980 - 191 pages |
| Arte 11 [i.e. once] by Atelier de Realizaciones Técnico Electroacústicas de Buenos Aires - 1976 - 2 pages |
| Ashes dance back by Jonathan Harvey - 2002 - 76 pages |
| Basic MIDI by Paul White - 1999 - 223 pages |
| Basic MIDI Applications by Helen Casabona, David Frederick, Brent Hurtig - 1988 - 47 pages |
| Beyond Midi by Eleanor Selfridge-Field - 1997 - 630 pages |
| Beyond the Charts by Bruce Haring - 2000 - 174 pages |
| Bird cage by John Cage - 1972 - 4 pages |
| Black host by William Bolcom - 1972 - 23 pages |
| Bollettino - 1979 |
| Bollettino - 1977 |
| Bollettino - 1974 |
| Buchla by Hubert S. Howe - 1969 - 28 pages |
| Cadunt umbrae by Helmut Eder - 1974 - 48 pages |
| Carlo by Brett Dean, Carlo Gesualdo (principe di Venosa) - 2000 - 71 pages |
| CCRMA overview by Stanford University. Center for Computer Research in Music and Acoustics - 1998 - 51 pages |
| Chromatic fantasy by Barbara Kolb - 1983 - 27 pages |
| Circus on by John Cage - 1979 - 6 pages |
| Collect by Leslie Bassett - 1970 - 10 pages |
| Collected articles by David Rosenboom, Jacqueline Humbert - 1968 - 76 pages |
| Come Together by Mark Garvey - 2006 - 287 pages |
| Composing Digital Music For Dummies by Russell Dean Vines - 2011 - 357 pages |
| Composing Digital Music For Dummies by Russell Dean Vines - 2008 - 357 pages |
| Computer based creative music making by Göran Folkestad - 1996 - 237 pages |
| Computer cantata by Lejaren Hiller, Robert Baker - 1968 - 99 pages |
| Computer composer's toolbox by Phil Winsor - 1990 - 246 pages |
| Computer in performance by Edward Kobrin, Jolyon Brettingham Smith, Deutscher Akademischer Austauschdienst. Berliner Künstlerprogramm - 1977 - 24 pages |
| Computer models of musical creativity by David Cope - 2005 - 462 pages |
| Computer Music by E. J. Garba - 2004 - 290 pages |
| Computer music by Charles Dodge, Thomas A. Jerse - 1985 - 383 pages |
| Computer music by Charles Dodge, Thomas A. Jerse - 1985 - 383 pages |
| Computer music by Charles Dodge, Thomas A. Jerse - 1985 - 383 pages |
| Computer music by Canadian Commission for Unesco - 1980 - 205 pages |
| Computer music compositions of the United States, 1976 - 1976 - 28 pages |
| Computer music in Britain by Steven R. Holtzman - 141 pages |
| Computer, Musik, Ästhetik by Johannes Goebel, Zentrum für Kunst und Medientechnologie Karlsruhe - 2006 - 285 pages |
| Computer-applications in music research by Nico Schüler - 2002 - 180 pages |
| Concerto pour trompette, orchestre, et éléments électro-acoustiques by Marcel Landowski, Paul Eluard - 1976 - 54 pages |
| Congruences (1989) de Michael Jarrell by Nicolas Vérin, Francis Courtot, Michael Jarrell, IRCAM (Research institute : France) - 1990 - 41 pages |
| Control of auditory distance by Durand René Begault - 1987 - 292 pages |
| Conversations by Amnon Wolman - 1983 - 8 pages |
| Crash Course by Paul White - 2004 - 208 pages |
| Creative life : music, politics, people, and machines by Bob Ostertag - 2009 - 194 pages |
| Crosses of crossed colors by Henri Pousseur - 1974 - 171 pages |
| Daniel in the lions' den by Daniel Pinkham - 1973 - 23 pages |
| Das Lexikon der elektronischen Musik by Herbert Eimert, Hans Ulrich Humpert - 1973 - 426 pages |
| Dictionary of Hammond-organ stops by Stevens Irwin - 1939 - 89 pages |
| Digital audio signal processing - 1985 - 283 pages |
| Digital electronic music synthesizers by Delton T. Horn - 1988 - 259 pages |
| Digital Performer 4 Ignite! by Eric Grebler - 2003 - 344 pages |
| Discographie internationale de la musique électronique by Mirosław Kondracki, Marta Stankiewicz, Frits C. Weiland, Rijksuniversiteit te Utrecht. Instituut voor Sonologie - 1979 - 174 pages |
| DMIX by Daniel V. Oppenheim, Stanford University. Dept. of Music - 1993 - 373 pages |
| Documentation internationale de la musique électro-acoustique by Folkmar Hein, Thomas Seelig, Golo Föllmer, Technische Universität Berlin. Elektronisches Studio, Deutsche Gesellschaft für Elektroakustische Musik - 1996 - 421 pages |
| Dokumentation elektroakustischer Musik in Europa by Golo Föllmer, Roland Frank, Folkmar Hein - 1992 - 370 pages |
| Double basses at twenty paces by Pauline Oliveros - 1978 - 6 pages |
| Echo by Ross Harris - 1988 - 6 pages |
| Edgard Varese und das Poeme electronique by Matthias Kassel, Heidy Zimmermann, Paul Sacher Stiftung (Basel, Switzerland), Museum Jean Tinguely Basel - 2006 - 84 pages |
| Electric music by John Jenkins, Jon Smith - 1976 - 168 pages |
| Electric music by John Jenkins, Jon Smith - 1976 - 168 pages |
| Electric music by John Jenkins, Jon Smith - 1976 - 168 pages |
| Electric sound by Joel Chadabe - 1997 - 370 pages |
| Electric sound by Joel Chadabe - 1997 - 370 pages |
| Electric sound by Joel Chadabe - 1997 - 370 pages |
| Electroacoustic Music by Thomas Licata - 2002 - 242 pages |
| Electronic and Computer Music by Peter Manning - 2013 - 544 pages |
| Electronic and Computer Music by Peter Manning - 2013 - 544 pages |
| Electronic and Computer Music by Peter Manning Professor of Music University of Durham - 2004 - 496 pages |
| Electronic and Computer Music by Peter Manning - 2004 - 474 pages |
| Electronic and Computer Music by Peter Manning - 2004 - 474 pages |
| Electronic and Computer Music by Peter Manning - 2004 - 474 pages |
| Electronic and computer music by Robert L. Wick - 1997 - 198 pages |
| Electronic and computer music by Peter Manning - 1993 - 399 pages |
| Electronic and computer music by Peter Manning - 1985 - 291 pages |
| Electronic and computer music by Peter Manning - 1985 - 291 pages |
| Electronic and computer music by Donald T. Hawkins - 1977 - 37 pages |
| Electronic and computer music by Peter Benjamin Bahler - 1966 - 256 pages |
| Electronic and Experimental Music by Thom Holmes - 2008 - 462 pages |
| Electronic and experimental music by Thom Holmes - 1985 - 278 pages |
| Electronic and experimental music by Thom Holmes - 1985 - 278 pages |
| Electronic and experimental music by Thom Holmes - 1985 - 278 pages |
| Electronic apparatus for music research by Aubrey Thomas Hickman - 1968 - 15 pages |
| Electronic music by Allen Strange - 1983 - 274 pages |
| Electronic music by Allen Strange - 1983 - 274 pages |
| Electronic music by Allen Strange - 1983 - 274 pages |
| Electronic music by Andy Mackay - 1981 - 124 pages |
| Electronic music by Fred Willman - 1979 - 98 pages |
| Electronic music by Australia Music Centre - 1977 - 65 pages |
| Electronic music by Elliott Schwartz - 1975 - 306 pages |
| Electronic music by Elliott Schwartz - 1975 - 306 pages |
| Electronic music by Elliott Schwartz - 1975 - 306 pages |
| Electronic music by Elliott Schwartz - 1973 - 306 pages |
| Electronic music by Music Educators National Conference (U.S.) - 1968 - 97 pages |
| Electronic music and musique concrète by Frederick Charles Judd - 1961 - 92 pages |
| Electronic music circuit guidebook by Brice Ward - 1975 - 223 pages |
| Electronic music composition for beginners by Robert Train Adams - 1986 - 279 pages |
| Electronic music dictionary by Bo Tomlyn, Steve Leonard - 1988 - 77 pages |
| Electronic music for young people by Fred Willman - 1974 - 64 pages |
| Electronic music generation systems by Manford L. Eaton - 1969 - 12 pages |
| Electronic music production by Alan Lockhart Monteith Douglas - 1974 - 148 pages |
| Electronic music production by Alan Lockhart Monteith Douglas - 1973 - 148 pages |
| Electronic music resource book by Robert Ceely - 1981 |
| Electronic Music Synthesis by Hubert S. Howe - 1975 - 272 pages |
| Electronic Music Synthesis by Hubert S. Howe - 1975 - 272 pages |
| Electronic music synthesizers by Delton T. Horn - 1980 - 168 pages |
| Electronic music: a handbook of sound synthesis & control by Manford L. Eaton - 1969 - 176 pages |
| Electronic musical composition in Sweden, 1952-1970 by Stefan Olof Sylvander - 1974 - 488 pages |
| Electronic musical instruments by Norman H. Crowhurst - 1971 - 188 pages |
| Electronic musical instruments by Richard H. Dorf - 1968 - 393 pages |
| Electronic musical instruments by Richard H. Dorf - 1968 - 393 pages |
| Electronic musical instruments by Stanley Karl Lewer - 1948 - 101 pages |
| Electronic Musician Presents the Recording Secrets Behind 50 Great Albums - 2012 - 242 pages |
| Electronica by Christian Zingales - 2002 - 127 pages |
| Elektrische Klangmaschinen by Peter Donhauser - 2007 - 348 pages |
| Elektronische Musik by Hans Ulrich Humpert - 1987 - 255 pages |
| Elektronische Musik by Eberhard Höhn - 1979 - 158 pages |
| Elektronische Musik in der Schule by Rudolf E. Hagen - 1975 - 71 pages |
| EM by Fred K. Prieberg - 1980 - 297 pages |
| Emagic Logic Tips and Tricks by Len Sasso - 2003 - 136 pages |
| Energy Flash by Simon Reynolds - 2012 - 512 pages |
| Erste Woche für elektronische Musik by Gerald Bennett, Musik-Akademie der Stadt Basel. Abteilung Konservatorium - 1975 - 96 pages |
| Essentials of music technology by Mark Ballora - 2002 - 248 pages |
| Evolutionary Computer Music by Eduardo Reck Miranda, John Al Biles - 2007 - 259 pages |
| Experiencing music technology by David Brian Williams, Peter Richard Webster - 1999 - 639 pages |
| Experimental design and analysis by Richard P. Honeck, Clare T. Kibler, Judith Sugar - 1983 - 113 pages |
| Experimental music by Lejaren Arthur Hiller, Leonard Maxwell Isaacson - 1979 - 197 pages |
| Experimenting with electronic music by Robert Michael Brown, Mark Olsen - 1974 - 180 pages |
| Experimenting with electronic music by Robert Michael Brown, Mark Olsen - 1974 - 180 pages |
| Fare musica con il PC by Pier Calderan, Luca Barbieri - 2004 - 384 pages |
| Finale 2005 Power! by Mark Johnson - 2004 - 424 pages |
| Finale Power! by Mark A. Johnson, Shawn McClain - 2002 - 422 pages |
| Foundations of music by Robert Nelson, Carl J. Christensen - 1993 - 237 pages |
| Freak show by Daniel T. Worley - 2002 - 246 pages |
| From the Tibetan book of the dead by R. Murray Schafer - 1973 - 16 pages |
| Full circle by Robert Godin - 1987 - 3 pages |
| Fundamental technologies of the synthesizer by Errol G. Specter - 1995 - 238 pages |
| Fundamentals of Digital Audio by Alan P. Kefauver, David Patschke - 2007 - 190 pages |
| Genesi e forma by Gottfried Michael Koenig - 1995 - 133 pages |
| Get Creative With Cubase Sx/Sl by Keith Gemmell - 2003 - 228 pages |
| Global Beat Fusion by Derek Beres - 2005 - 296 pages |
| Going digital by Brad Hill - 1998 - 256 pages |
| Handmade Electronic Music by Nicolas Collins - 2009 - 360 pages |
| Home Studio Ignite! by Eric Grebler - 2004 - 318 pages |
| Horizontal and vertical analysis data extraction using a computer program by David Lowell Jackson - 1981 - 202 pages |
| How to Become a Top DJ by Infinite Ideas, Luke McCarthy - 2012 - 38 pages |
| How to Dj Right by Frank Broughton, Bill Brewster - 2003 - 283 pages |
| How To Do Everything With Musicmatch by Rick Broida, Denny Atkin - 2004 - 299 pages |
| How to make electronic music by Russell Drake, Ronald Herder, Anne D. Modugno - 1977 - 108 pages |
| How to Wreck a Nice Beach by Dave Tompkins - 2011 |
| Human-computer interaction as reflected in Jean-Claude Risset's Duet for one pianist by Ruth L. Oppenheim, Stanford University. Dept. of music - 1993 - 86 pages |
| Hyperimprovisation by R. T. Dean - 2003 - 203 pages |
| Il dialogo con la materia disintegrata e ricomposta, un'analisi di Thema (Omaggio a Joyce) di Luciano Berio by Romina Daniele - 2010 - 88 pages |
| Imaginary landscape, no. 4 by John Cage - 1960 - 36 pages |
| Imaginary landscape, no. 4 by John Cage - 1960 - 36 pages |
| Imaginary space by John Young, Victoria University of Wellington. School of Music - 1999 - 98 pages |
| Impact of MIDI on electroacoustic art music by Alex Igoudin, Stanford University. Center for Computer Research in Music and Acoustics, Stanford University. Dept. of Music - 1997 - 179 pages |
| In alium by John Tavener - 1968 - 37 pages |
| Informatica, musica/industria - 1984 - 328 pages |