Theory of the NovelSimon and Schuster, 1967 - 440 páginas A definitive study compiled from essays written by many noted authors on the various facets of the art of the novel, Theory of the Novel is Philip Stevick's latest collection of impressive works. A comprehensive anthology contain 53 commentaries on the various facets of the novelist's art, and extensive introduction, prefaces to each section, and a 445 bibliography, The Theory of the Novel is another exceptional collection edited by Stevick. |
Contenido
Introduction | 1 |
Generic Identity | 11 |
Point of View | 65 |
Essay in Classification | 87 |
The | 108 |
Plot Structure and Proportion | 139 |
Style | 185 |
Character | 221 |
Time | 280 |
Back | 313 |
Symbol | 333 |
Life and Art | 369 |
George Eliot A Faithful Account of Men and Things | 391 |
Joseph Conrad The Highest Kind of Justice to | 399 |
Common to Allflesh | 406 |
| 429 | |
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Términos y frases comunes
action aesthetic artist attitude become begin century chapter characters consciousness criticism D. H. Lawrence distinction Don Quixote dramatic E. M. Forster effect elements Eliot Emily Brontë emotional English essay example experience fact feeling Fielding's Finnegans Wake genre Henry James hero human idea illusion imagination irony James Joyce Jane Austen Jones Joyce kind language Lawrence less limited literary literature London matter meaning mind Moby Dick Modern Fiction Moll Flanders moral narrative narrator nature novel novelist omniscient passage past person Philosophy plot poem poetry point of view possible present principle problem prose protagonist Proust reader realistic reality relation Review romance Sancho scene seems sense sentence speak story style suggests summary symbol T. S. Eliot technique tell theme theory things thought tion Tom Jones Tristram Tristram Shandy truth whole word writer York