Gerard Manley HopkinsRoutledge, 2010 M12 14 - 240 páginas Gerard Manley Hopkins was among the most innovative writers of the Victorian period. Experimental and idiosyncratic, his work remains important for any student of nineteenth-century literature and culture. This guide to Hopkins’ life and work offers:
Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Hopkins’ work and seeking not only a guide to the poems, but a way through the wealth of contextual and critical material that surrounds them. |
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... meaning ... rejecting nothing, selecting nothing, and scorning nothing' (Ruskin 1897: 448), Hopkins looked intensely and strove in his Journals to capture the particularity of things, by which their essence might be known. Ruskin's ...
... meaning ... rejecting nothing, selecting nothing, and scorning nothing' (Ruskin 1897: 448), Hopkins looked intensely and strove in his Journals to capture the particularity of things, by which their essence might be known. Ruskin's ...
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... meaning the University, saw itself as a bastion of the Anglican Church and a powerhouse of ideas on religion, politics and social issues, in serious journals and magazines influential far beyond their circulation figures. Oxford ...
... meaning the University, saw itself as a bastion of the Anglican Church and a powerhouse of ideas on religion, politics and social issues, in serious journals and magazines influential far beyond their circulation figures. Oxford ...
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... meaning to them, that contrasted with the social dullness of Anglican preaching and automatic church attendance: 'As they listened, men became strangely aware of the marvels of glory and awfulness amid which human life is passed ...
... meaning to them, that contrasted with the social dullness of Anglican preaching and automatic church attendance: 'As they listened, men became strangely aware of the marvels of glory and awfulness amid which human life is passed ...
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... meanings in the imagery of the choruses in Greek drama. Beyond comments in his letters, nothing of this was written, but the ... meaning (J, 84–85). Language was no mere fancy decoration. Since to 'every word ... belongs a passion or ...
... meanings in the imagery of the choruses in Greek drama. Beyond comments in his letters, nothing of this was written, but the ... meaning (J, 84–85). Language was no mere fancy decoration. Since to 'every word ... belongs a passion or ...
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Contenido
Introduction 43 | |
university student 186368 47 | |
Journals 61 | |
storm and duality 65 | |
Part the First 69 | |
poems 187678 79 | |
Occasional poems 79 | |
193560 133 | |
Hopkins as Victorian 141 | |
Nature into religion 153 | |
Science out of nature 158 | |
Experience into technique 172 | |
A Vision of the Mermaids 1862 45 | |
Readings 182 | |
Shaping the reputation 195 | |
The Windhover 1877 84 | |
God Nature and Mankind 89 | |
188586 107 | |
Soldier ploughman navvy 115 | |
Further reading 124 | |
Winter with the Gulf Stream 1863 46 | |
Chronology 204 | |
Index 213 | |
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Términos y frases comunes
aesthetic Alphonsus Rodriguez artist belief bird Bridges Bridges’s buckle Carrion Comfort Catholic Catholicism century Christ Christian Church critical death declares delight Deutschland doctrine Dolben dramatic Dublin Duns Scotus emphasised Empson English experience exploration expression F.R. Leavis feeling Fraser Gardner Gerard Manley Hopkins God’s creation God’s Grandeur grace heart Henry Purcell Hopkins’s poetry I.A. Richards Incarnation inscape insists instress Jesuit Kitchen Lahey language Leavis linked Loomis man’s meaning meditation metaphor Milroy Milton Milward modern nature nineteenthcentury nun’s nuns offers Oxford Oxford Movement perception Phare physical poem poem’s poet poet’s poetic priest reader reading recognised religion religious revelation rhyme Robert Bridges Roberts Romantic Ruggles Ruskin sacramental salvation Scotus sense sestet Sonnets Sourcebook edited Spiritual Exercises Spring Sprung Rhythm St Beuno’s stanza storm stress suggests Sulloway syllables T.S. Eliot technique Terrible things Tractarian tradition understanding Vendler Victorian vision W.S. Johnson White Windhover word Wordsworth Wreck writing