Cyclopedia of Music and Musicians: Naaman-ZwillingsbrüderJohn Denison Champlin, William Foster Apthorp C. Scribner's Sons, 1899 |
Otras ediciones - Ver todas
Términos y frases comunes
Académie Allegro anoforte April aria Bach ballet bass became Beethoven Berlin Bologna born Breitkopf & Härtel cantata cappella cathedral Chapel chestra choral chorus Church composer church music clarinet composition concert Conservatoire Conservatorium counterpoint Deum Dramatic composer Dresden duet duos E-flat etc.-Fétis Fétis Florence flute Franz French fugue German Giovanni given Hamburg Handel hymns instruments Italian opera Italy Johann Kapellmeister Larousse Leipsic lished living London maestro di cappella March masses Mendel Milan minor Mlle motets Mozart Munich music director Musique Naples numbers oboe opera buffa Opéra Comique operetta oratorio orches orchestra organ organist overture Paris Pianist piano pianoforte pianoforte and strings poser Prague Psalm published pupil Quintet Requiem Riemann Rome Royal Schilling score Sept singing soli solo sonatas songs soprano studied sung Supplément symphonies Théâtre three acts tion trios Venice Vienna viola violin Violinist violoncello Virtuoso vocal composer voci voices Works-Operas Zeitg
Pasajes populares
Página 7 - Vocalis, an Essay on the History and Theory of Music and on the qualities, capabilities, and management of the Human Voice'.
Página 391 - Antiqua, a selection of music of this and other countries from the commencement of the twelfth to the beginning of the eighteenth century, comprising some of the earliest and most curious...
Página 445 - The Sorcerer (1877), HMS Pinafore (1878), The Pirates of Penzance (1880), Patience (1881), lolanthe (1882), Princess Ida (1884), The Mikado (1885), Ruddigore (1887), and The Yeomen of the Guard (1888).
Página 594 - Cheerful Ayres or Ballads, first composed for one single Voice, and since set for three Voices; by John Wilson, Dr.
Página 145 - Mottets of Two Voyces for Treble or Tenor and Bass with the Continued Bass or Score. To be performed to an Organ, Harpsycon, Lute, or Bass-Viol.
Página 145 - Madrigales and Ayres of two, three, foure, and five voyces, with the continued bass, with Toccatos, Sinfonias, and Rittornelles to them, after the manner of Consort Musique. To be performed with the Harpsechord, Lutes, Theorbos, Basse-Violl, two Violins or two Viols.
Página 571 - Op. 18: No. 1 in F; No. 2 In G; No. 3 in D; No. 4 In С minor; No.
Página 274 - will be the political hymn of this country as long as she maintains her political power...
Página 150 - Syntagma musicum ex veterum et recentiorum , ecclesiasticorum autorum lectione , polyhistorum consignatione, variarum linguarum notatione, hodierni seculi usurpatione , ipsius denique musicae artis observatione , in cantorum , organistarum...
Página 266 - Its first appearance under that name is presumably as ' an Air with Variations for the Pianoforte, composed and dedicated to the Rt. Hon. the Countess of Delaware, by JB Cramer. London, ChappelT [1813]. fine. But it is found (with very slight changes) a quarter of a century earlier, under the title of • Melissa. The words by Charles James, Esq., adapted to the Pianoforte. Harp, or Guitar. London, J. Dale, 1788.