The Arts Entwined: Music and Painting in the Nineteenth CenturyMarsha L. Morton, Peter L. Schmunk Routledge, 2013 M10 11 - 250 páginas This collection of essays by musicologists and art historians explores the reciprocal influences between music and painting during the nineteenth century, a critical period of gestation when instrumental music was identified as the paradigmatic expressive art and theoretically aligned with painting in the formulation utpictura musica (as with music, so with painting). Under music's influence, painting approached the threshold of abstraction; concurrently many composers cultivated pictorial effects in their music. Individual essays address such themes as visualization in music, the literary vs. pictorial basis of the symphonic poem, musical pictorialism in painting and lithography, and the influence of Wagner on the visual arts. In these and other ways, both composers and painters actively participated in interarts discourses in seeking to redefine the very identity and aims of their art. Also includes 17 musical examples. |
Contenido
An Introduction | 1 |
Paradoxes and Contradictions of Pictorial Musicalism | 23 |
CHAPTER 3 Seeing Music Visuality in the Friendship of Johann Wolfgang von Goethe and Carl Friedrich Zelter | 47 |
Music Image and Phantasmagoric Audition | 63 |
The Landscapes of Corot and Monet | 101 |
SaintSaënss Painterly Refiguration of the Symphonic Poem | 119 |
FantinLatour Wagnerism and the Musical in Art | 143 |
The Origins of a Musical Paradigm for Painting | 177 |
Munchs Scream and Romantic Music Theory | 209 |
Contributors | 227 |
231 | |
Otras ediciones - Ver todas
The Arts Entwined: Music and Painting in the Nineteenth Century Marsha Morton,Peter L. Schmunk Vista previa limitada - 2000 |
The Arts Entwined: Music and Painting in the Nineteenth Century Marsha Morton,Peter L. Schmunk Vista previa limitada - 2013 |
The Arts Entwined: Music and Painting in the Nineteenth Century Marsha L. Morton,Peter L. Schmunk Sin vista previa disponible - 2016 |