Jazz in Print (1859-1929)

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Karl Koenig
Pendragon Press, 2002 - 594 páginas
This anthology was compiled to aid the scholar working on the origins and evolution of jazz. Covering materials published through 1929, it also begins with article from 1859 which do not concern jazz directly, but will serve to present a solid foundation for understanding the American music scene from which jazz developed. Chronologically listed and well-indexed, the hundreds of articles comprise, in effect, a history of jazz as it evolved. Beginning with accounts of Negro music in the pre-jazz era, continuing in an exploration of spirituals, followed by a description of ragtime, we finally learn about the development of jazz from its practitioners and informed audiences of the time.

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Contenido

18561899
1
Negro Folk Songs
14
Recent
39
Ragtime
47
19001909
60
Ragtime
92
What about Ragtime?
102
AntiRagtime
105
Why You Like Jazz
302
Whitman Whiteman
309
Column by Ed Chenette
315
Rhythmic Symphonic Syncopation
321
Who Invented Jazz?
372
Soulful Youths
381
Jazz at Home
389
Untitled
398

What has Ragtime
111
The Appeal of
119
Negro Music at Birth
127
A Jazz Band Concert
133
Negro Folk Song
140
Jazz
146
Charinski Defends Jazz
194
Some Further Opinions on Jazz
202
Leave Jazz Alone
209
Jazz
215
Untitled
222
Detrimental Effects of Jazz
230
Ted Lewis of Jazz Band Fame
236
JazzIts Origin Effect Future
285
Jazz and The Rhapsody in Blue
291
Awaiting the Great America
405
Philadelphia Hears First
411
Jazz
478
428
487
The Blues
494
Jazz and Folk
535
Broadway Jazz
544
Coplands Jazz Concerto
550
The Standardization of Jazz
566
Some English Obvservations 524
573
1928
579
Syncopating
580
What Jazz Has Done to the Fretted
581
Gershwin and Jazz
592
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