Jazz in Print (1859-1929)Karl Koenig Pendragon Press, 2002 - 594 páginas This anthology was compiled to aid the scholar working on the origins and evolution of jazz. Covering materials published through 1929, it also begins with article from 1859 which do not concern jazz directly, but will serve to present a solid foundation for understanding the American music scene from which jazz developed. Chronologically listed and well-indexed, the hundreds of articles comprise, in effect, a history of jazz as it evolved. Beginning with accounts of Negro music in the pre-jazz era, continuing in an exploration of spirituals, followed by a description of ragtime, we finally learn about the development of jazz from its practitioners and informed audiences of the time. |
Contenido
18561899 | 1 |
Negro Folk Songs | 14 |
Recent | 39 |
Ragtime | 47 |
19001909 | 60 |
Ragtime | 92 |
What about Ragtime? | 102 |
AntiRagtime | 105 |
Why You Like Jazz | 302 |
Whitman Whiteman | 309 |
Column by Ed Chenette | 315 |
Rhythmic Symphonic Syncopation | 321 |
Who Invented Jazz? | 372 |
Soulful Youths | 381 |
Jazz at Home | 389 |
Untitled | 398 |
What has Ragtime | 111 |
The Appeal of | 119 |
Negro Music at Birth | 127 |
A Jazz Band Concert | 133 |
Negro Folk Song | 140 |
Jazz | 146 |
Charinski Defends Jazz | 194 |
Some Further Opinions on Jazz | 202 |
Leave Jazz Alone | 209 |
Jazz | 215 |
Untitled | 222 |
Detrimental Effects of Jazz | 230 |
Ted Lewis of Jazz Band Fame | 236 |
JazzIts Origin Effect Future | 285 |
Jazz and The Rhapsody in Blue | 291 |
Awaiting the Great America | 405 |
Philadelphia Hears First | 411 |
Jazz | 478 |
428 | 487 |
The Blues | 494 |
Jazz and Folk | 535 |
Broadway Jazz | 544 |
Coplands Jazz Concerto | 550 |
The Standardization of Jazz | 566 |
Some English Obvservations 524 | 573 |
579 | |
580 | |
581 | |
592 | |
Otras ediciones - Ver todas
Términos y frases comunes
Aeolian Hall African Ameri American composer American music arrangements artists banjo bass beat beautiful Beethoven blues called Chicago clarinet classical colored composition concert dance halls dance music dance orchestra drum effect expression fact feel folk music folk-song fox-trot George Gershwin Gershwin give gwine harmony hear heard hymn idiom instruments interest Irving Berlin jazz band jazz music jazz orchestra leader listen Lopez matter melody ment minstrel minstrel show modern musi musicians Negro music never opera original Paul Whiteman performance piano piece played players popular music popular song present ragtime ragtime music Rhapsody rhythm rhythmic saxophone score sing singers sound spirit sung symphony orchestra syncopation themes thing tion tone trombone tunes vaudeville Vincent Lopez violin voice waltz words write written York young