Struggling to Define a Nation: American Music and the Twentieth CenturyIdentifying music as a vital site of cultural debate, Struggling to Define a Nation captures the dynamic, contested nature of musical life in the United States. In an engaging blend of music analysis and cultural critique, Charles Hiroshi Garrett examines a dazzling array of genres—including art music, jazz, popular song, ragtime, and Hawaiian music—and numerous well-known musicians, such as Charles Ives, Jelly Roll Morton, Louis Armstrong, and Irving Berlin. Garrett argues that rather than a single, unified vision, an exploration of the past century reveals a contested array of musical perspectives on the nation, each one advancing a different facet of American identity through sound. |
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Contenido
Introduction | 1 |
1 Charles Ivess Four Ragtime Dances and True American Music | 17 |
2 Jelly Roll Morton and the Spanish Tinge | 48 |
3 Louis Armstrong and the Great Migration | 83 |
4 Chinatown Whose Chinatown? Defining Americas Borders with Musical Orientalism | 121 |
Hawaii and the American Musical Imagination | 165 |
American Music at the Turn of a New Century | 215 |
Notes | 223 |
Bibliography | 259 |
277 | |
Otras ediciones - Ver todas
Struggling to Define a Nation: American Music and the Twentieth Century Charles Hiroshi Garrett Sin vista previa disponible - 2008 |
Struggling to Define a Nation: American Music and the Twentieth Century Charles Hiroshi Garrett Sin vista previa disponible - 2008 |
Términos y frases comunes
African American Alan Lomax American music American popular artists Asian audiences band Berlin Bird of Paradise Broadway career century Charles Ives Chicago Chinatown Chinese chorus composed compositions contemporary cover art Creole cultural dreamy ethnic exoticism featured Four Ragtime Dances genres Gully Low Blues hapa haole Hawai‘i Hawaiian music Hawaiian musicians Hawaiian-themed songs Honolulu Hot Five Hot Seven hymns immigration influence instruments island Ives’s Jean Schwartz Jelly Roll Blues Jelly Roll Morton Jerome’s Latin tinge listeners Lomax Louis Armstrong melody migration Mister Jelly nation Nuestro Himno OKeh opium original Orleans Blues Pan Alley songs performance perspective piano piece played popular music produced published race racial recordings release rendition rhythmic rhythms sheet music solo Sonata song’s songwriters sound Spanish tinge steel guitar strategy tensions Tin Pan Alley tion traditions tresillo bass trumpet tune ukulele University Press urban verse vocal Waikiki William York