The Narreme in the Medieval Romance Epic: An Introduction to Narrative StructuresUniversity of Toronto Press, 1969 - 259 páginas In this study Professor Dorfman applies the methods of modern linguistics to literary analysis. Literature may be described as the structured use of language: the modern linguistic analyzes language in a search for the minimal units of sound and form, phoneme and morpheme, and determines the combinations by which they can communicate meaning. The author here searches for a minimal structural unit in the literary narrative analogous to the phoneme and the morpheme in language structure. Based on a detailed analysis of the Roland and the Cid and twelve additional Romance narratives, Professor Dorfman's argument is that the structure of the medieval Romance epics may be analyzed into functional units which he calls "narremes." He divides a narrative into two types of structure: the superstructure and the substructure. A narrative, by definition, is a series of incidents. All the incidents in the narrative, taken as written, form the superstructure. Analysis, however, shows that many of the incidents may be abstracted from the narrative without deflecting the story-line. On the other hand, other incidents reveal themselves as organically linked with each other, so they cannot be omitted, without destroying the story-line. These selected incidents are the narremes, which make up the substructure of the narrative. This method of analysis produces so interesting and surprising results, results which make an important advance in research in linguistics and Romance literature. Eugene Dorfman, as an orthodox structuralist, has focused strictly on the formal descriptions of the narratives; but his analysis leads into the great traditional problems of literary history, and in particular poses anew the problem of the origins of the epic. |
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... Lancelot and Melea- ganz . The former is victorious , but spares the life of the queen's abductor , since she wills it . When Bademagu presents Guenevere to Lancelot , she angrily refuses to speak to him . In ignorance of any ...
... Lancelot , the queen's cham- pion . Bademagu asks the queen to separate the combatants ; she replies that she is agreeable to whatever he wishes . Hearing this , Lancelot immediately stops fighting , refusing to protect himself against ...
... Lancelot's rival in pure love , at least as a possibility ; a brave and virtuous knight , second only to Lancelot , he is prepared to accomplish the most valiant deeds in her behalf . But his refusal to endure the mockery of the cart ...
Contenido
Chapter One Function and Structure in the Literary Analysis | 5 |
Chapter Two The SubStructural Pattern of the French Epics | 17 |
Chapter Three The SubStructural Pattern of the Spanish | 28 |
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The Narreme in the Medieval Romance Epic: An Introduction to Narrative ... Eugene Dorfman Vista previa limitada - 1969 |