Seminar, Temas525-529R. Thapar, 2003 |
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Página 32
32 The Bombay film poster 33 34 of popular Bombay cinema. theory , exhibition defies the kind of abstract ... Indian cinema in pursuing a wider range of archival , oral and ethnographic re- search at cinema theatres . " When waiting to be ...
32 The Bombay film poster 33 34 of popular Bombay cinema. theory , exhibition defies the kind of abstract ... Indian cinema in pursuing a wider range of archival , oral and ethnographic re- search at cinema theatres . " When waiting to be ...
Página 79
... Indian cinema . Gopalan also deals again with the interval : ' In Indian cinema , the first eighty to ninety minutes usually stage the primary conditions of the nar- rative . Nayakan , however , rewrites this convention by favouring the ...
... Indian cinema . Gopalan also deals again with the interval : ' In Indian cinema , the first eighty to ninety minutes usually stage the primary conditions of the nar- rative . Nayakan , however , rewrites this convention by favouring the ...
Página 82
... Indian cinema , in The savage Freud and other essays on possible and retrievable selves . Princeton : Princeton University Press , and Delhi : OUP , 1995 . Pandian , M.S.S. Parasakthi : life and times of a DMK film , in R. Vasudevan ...
... Indian cinema , in The savage Freud and other essays on possible and retrievable selves . Princeton : Princeton University Press , and Delhi : OUP , 1995 . Pandian , M.S.S. Parasakthi : life and times of a DMK film , in R. Vasudevan ...
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