Music of the Counterculture Era

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Greenwood Publishing Group, 2004 - 226 páginas
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The late 1960s and early 1970s saw the flourishing of an American counterculture that affected many walks of society. The movement's music provided the soundtrack for this bellwether time in American cultural history. Such performers as Bob Dylan, Joan Baez, Phil Ochs, Arlo Guthrie, The Doors, John Lennon, James Brown, Jimi Hendrix, and The Grateful Dead ushered in new sounds, as well as new attitudes and philosophies for an emerging generation. With vibrant narrative chapters on the role of music in the anti-war movement, the Black power movement, the women's movement, political radicalism, drug use, and the counterculture lifestyle, James Perone details the emerging issues explored by performers in the Sixties and Seventies. A chapter of biographical sketches provides an easily accessible resource on significant performers, recordings, and terminology. Also included are chapter bibliographies, a timeline, and a subject index.

The American History through Music series examines the many different styles of music that have played a significant part in our nation's history. While volumes in this series show the multifaceted roles of music in culture, they also use music as a lens through which readers may study American social history. The authors present in-depth analysis of American musical genres, significant musicians, technological innovations, and the many connections between music and the realms of art, politics, and daily life. Chapters present accessible narratives on music and its cultural resonations, music theory and technique is broken down for the lay reader, and each volume presents a chapter of alphabetically arranged entries on significant people and terms.

 

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Contenido

Background
1
Popular Music Trends through the Counterculture Era
19
Music and the AntiWar Movement
33
Music and the Oppressed
67
Music and Radical Politics
97
Music and Other Social and Lifestyle Issues
111
An AZ of Music and the Counterculture Era
157
Bibliography
185
Song Title Index
203
General Index
213
Derechos de autor

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Pasajes populares

Página 185 - ... concerts threatens to raise the roof and blast the walls, or for that matter, bring down clouds. Perhaps the ultimate, overriding satisfaction from Vanguard Rock is an identification with a source of strength which during those moments of listening has an almost God-like omnipotence. NOTES 1. Gary Allen, "That Music, There's More to it Than Meets the Ear," American Opinion (February 1969), pp.
Página 197 - There Must Be Some Way Outta Here!": The Vietnam War in American Popular Music.
Página 186 - In The American Folk Scene: Dimensions of the Folksong Revival, ed. David A. DeTurk and A. Poulin, Jr. New York: Dell, 1967. Pp. 59-66. Cohen, Mitch. "Rockcinema-The First 21 Years, 1955-1 976.

Acerca del autor (2004)

JAMES E. PERONE is the author of ten books, including Paul Simon: A Bio-Bibliography, Songs of the Vietnam Conflict, and Louis Moreau Gottschalk: A Bio-Bibliography. Currently, he is Associate Professor of Music at Mount Union College in Alliance, Ohio, where he teaches Music in America, Vernacular Music and the Vietnam Conflict, Music Theory, and Clarinet.

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