UPON THE SIGHT OF A BEAUTIFUL PICTURE,
Painted by Sir G. H. Beaumont, Bart.
[THIS was written when we dwelt in the Parsonage at Grasmere. The principal features of the picture are Bredon Hill and Cloud Hill near Coleorton. I shall never forget the happy feeling with which my heart was filled when I was impelled to compose this Sonnet. We resided only two years in this house; and during the last half of the time, which was after this poem had been written, we lost our two children, Thomas and Catharine. Our sorrow upon these events often brought it to my mind, and cast me upon the support to which the last line of it gives expression
"The appropriate calm of blest eternity."
It is scarcely necessary to add that we still possess the
Picture.]
PRAISED be the Art whose subtle power could stay
Yon cloud, and fix it in that glorious shape;
Nor would permit the thin smoke to escape,
Nor those bright sunbeams to forsake the day;
Which stopped that band of travellers on their way,
Ere they were lost within the shady wood;
And showed the Bark upon the glassy flood
For ever anchored in her sheltering bay.
Soul-soothing Art! whom Morning, Noon-tide, Even,
Do serve with all their changeful pageantry;
Thou, with ambition modest yet sublime,
Here, for the sight of mortal man, hast given
To one brief moment caught from fleeting time
The appropriate calm of blest eternity.
"WHY, Minstrel, these untuneful murmurings-
Dull, flagging notes that with each other jar?י
"Think, gentle Lady, of a Harp so far
From its own country, and forgive the strings."
A simple answer! but even so forth springs,
From the Castalian fountain of the heart,
The Poetry of Life, and all that Art
Divine of words quickening insensate things.
From the submissive necks of guiltless men
Stretched on the block, the glittering axe recoils ;
Sun, moon, and stars, all struggle in the toils
Of mortal sympathy; what wonder then
That the poor Harp distempered music yields
To its sad Lord, far from his native fields ?
[A PROJECTING point of Loughrigg, nearly in front of Rydal Mount. Thence looking at it, you are struck with the boldness of its aspect; but walking under it, you admire the beauty of its details. It is vulgarly called Holme-scar, probably from the insulated pasture by the waterside below it.]
AERIAL ROCK-whose solitary brow
From this low threshold daily meets my sight;
When I step forth to hail the morning light;
Or quit the stars with a lingering farewell-how
Shall Fancy pay to thee a grateful vow ?
How, with the Muse's aid, her love attest?
-By planting on thy naked head the crest
Of an imperial Castle, which the plough
Of ruin shall not touch. Innocent scheme!
That doth presume no more than to supply
A grace the sinuous vale and roaring stream
Want, through neglect of hoar Antiquity.
Rise, then, ye votive Towers! and catch a gleam
Of golden sunset, ere it fade and die.
O GENTLE SLEEP! do they belong to thee,
These twinklings of oblivion? Thou dost love
To sit in meekness, like the brooding Dove,
A captive never wishing to be free.
This tiresome night, O Sleep! thou art to me
A Fly, that up and down himself doth shove
Upon a fretful rivulet, now above
Now on the water vexed with mockery.
I have no pain that calls for patience, no;
Hence am I cross and peevish as a child:
Am pleased by fits to have thee for my foe,
Yet ever willing to be reconciled:
O gentle Creature! do not use me so,
But once and deeply let me be beguiled.
FOND words have oft been spoken to thee, Sleep!
And thou hast had thy store of tenderest names;
The very sweetest, Fancy culls or frames,
When thankfulness of heart is strong and deep!
Dear Bosom-child we call thee, that dost steep
In rich reward all suffering; Balm that tames
All anguish; Saint that evil thoughts and aims
Takest away, and into souls dost creep,
Like to a breeze from heaven. Shall I alone,
I surely not a man ungently made,
Call thee worst Tyrant by which Flesh is crost ?
Perverse, self-willed to own and to disown,
Mere slave of them who never for thee prayed,
Still last to come where thou art wanted most!
A FLOCK of sheep that leisurely pass by,
One after one; the sound of rain, and bees
Murmuring; the fall of rivers, winds and seas,
Smooth fields, white sheets of water, and pure sky;
I have thought of all by turns, and yet do lie
Sleepless! and soon the small birds' melodies
Must hear, first uttered from my orchard trees;
And the first cuckoo's melancholy cry.
Even thus last night, and two nights more, I lay,
And could not win thee, Sleep! by any stealth :
So do not let me wear to-night away:
Without Thee what is all the morning's wealth ?
Come, blessed barrier between day and day,
Dear mother of fresh thoughts and joyous health!
[I OBSERVED this beautiful nest on the largest island of Rydal Water.]
THE imperial Consort of the Fairy-king
Owns not a sylvan bower; or gorgeous cell
With emerald floored, and with purpureal shell
Ceilinged and roofed; that is so fair a thing
As this low structure, for the tasks of Spring,
Prepared by one who loves the buoyant swell
Of the brisk waves, yet here consents to dwell;
And spreads in steadfast peace her brooding wing.
Words cannot paint the o'ershadowing yew-tree bough,
And dimly-gleaming Nest, -a hollow crown
Of golden leaves inlaid with silver down,
Fine as the mother's softest plumes allow:
I gazed-and, self-accused while gazing, sighed
For human-kind, weak slaves of cumbrous pride!
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