Sex Drives: Fantasies of Fascism in Literary ModernismCornell University Press, 2002 - 197 páginas Salvador Dalí's autobiography confesses that "Hitler turned me on in the highest," while Sylvia Plath maintains that "every woman adores a Fascist." Susan Sontag's famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts--including sadomasochism and homosexuality--not permitted in a democratic conception of sexuality without power relations. By delineating democracy's investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. |
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... Woolf takes up in her treatise against fascism published the following year , Three Guineas . The pretext for Three Guineas is a question that was addressed to Woolf : " How in your opinion are we to prevent war ? ” ( 3 ) . Woolf is ...
... Woolf observes , insist that women's activities be limited to home and family ; both deny women basic rights and any degree of self - realization . Aren't Nazi dictators and British patriarchs " the same thing " ? ( 53 ) , Woolf asks ...
... Woolf's and Plath's models of female psychology under fascism and patriarchy is illustrated by their respective identifications with Greek heroines . In Three Guineas , Woolf points to Sophocles's Antigone as proof that women can and ...
Contenido
The Origins of an Erotics | 29 |
Chapter 2 | 38 |
Chapter 3 | 59 |
Derechos de autor | |
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Otras ediciones - Ver todas
Sex Drives: Fantasies of Fascism in Literary Modernism Laura Catherine Frost Vista previa limitada - 2002 |
Términos y frases comunes
Referencias a este libro
The Economics of Fantasy: Rape in Twentieth-century Literature Sharon Stockton Vista previa limitada - 2006 |