Sex Drives: Fantasies of Fascism in Literary ModernismCornell University Press, 2002 - 197 páginas Salvador Dalí's autobiography confesses that "Hitler turned me on in the highest," while Sylvia Plath maintains that "every woman adores a Fascist." Susan Sontag's famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts--including sadomasochism and homosexuality--not permitted in a democratic conception of sexuality without power relations. By delineating democracy's investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. |
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... characters in the sadomasochistic drama do survive , and the characters subject to fascist violence do not . In psychoanalytic terms , these texts provide an erotic intersubjective relation between characters who historically had no ...
... characters are almost always undercut either by other characters or by the narrator , and their strident political speeches are shown to be dangerously extreme . ( In Kangaroo and The Plumed Serpent , it is women , and specifically ...
... character . In The Uses of Enchantment , Bruno Bettelheim concedes that “ evil is not without its attractions ... character can become good . The story rewards Beauty for lov- ing the Beast , a " terrifying and also magnetic ” character ...
Contenido
The Origins of an Erotics | 29 |
Chapter 2 | 38 |
Chapter 3 | 59 |
Derechos de autor | |
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Otras ediciones - Ver todas
Sex Drives: Fantasies of Fascism in Literary Modernism Laura Catherine Frost Vista previa limitada - 2002 |
Términos y frases comunes
Referencias a este libro
The Economics of Fantasy: Rape in Twentieth-century Literature Sharon Stockton Vista previa limitada - 2006 |