Sex Drives: Fantasies of Fascism in Literary ModernismCornell University Press, 2002 - 197 páginas Salvador Dalí's autobiography confesses that "Hitler turned me on in the highest," while Sylvia Plath maintains that "every woman adores a Fascist." Susan Sontag's famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts--including sadomasochism and homosexuality--not permitted in a democratic conception of sexuality without power relations. By delineating democracy's investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. |
Dentro del libro
Resultados 1-3 de 47
... masochistic inclination " produced a yearning " to be enslaved by the woman he loved " ( 187 ) . Shirer is not an anomaly : a great deal of even the most respected historical scholarship on fascism alludes to the sexual aberrations of ...
... masochist is in control . ) In contrast , sadism , for Deleuze , is an insti- tutionally sanctioned violence exerted by ... masochistic pleasures as well as the pleasure of undermining or challenging dominant cultural paradigms of sexual ...
... masochistic drama . Like the reading of propaganda , a particular viewer's reading of Bellmer depends upon , and is determined by , that viewer's point of identification and interest - the narrative that viewer perceives over and above ...
Contenido
The Origins of an Erotics | 29 |
Chapter 2 | 38 |
Chapter 3 | 59 |
Derechos de autor | |
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Otras ediciones - Ver todas
Sex Drives: Fantasies of Fascism in Literary Modernism Laura Catherine Frost Vista previa limitada - 2002 |
Términos y frases comunes
Referencias a este libro
The Economics of Fantasy: Rape in Twentieth-century Literature Sharon Stockton Vista previa limitada - 2006 |