Sex Drives: Fantasies of Fascism in Literary ModernismCornell University Press, 2002 - 197 páginas Salvador Dalí's autobiography confesses that "Hitler turned me on in the highest," while Sylvia Plath maintains that "every woman adores a Fascist." Susan Sontag's famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts--including sadomasochism and homosexuality--not permitted in a democratic conception of sexuality without power relations. By delineating democracy's investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. |
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... writes , " have the capacity to do something of which the soldier is normally incapable : they can discharge and still remain whole ” ( 2 : 179 ) . This kind of vi- olence exercised on another reinforces , rather than threatens , the ...
... writes , " cartoonists caricatured Hitler as a Maid with clownish features and a movie comedian's mustache . ' He hears voices , ' said the captions . . . . Did the cartoonists feel that Hitler was Joan of Arc ? " Genet worries that ...
Fantasies of Fascism in Literary Modernism Laura Catherine Frost. 17. D. W. Winnicott writes that " this change ( from object - relating to object - usage ) means that the subject destroys the object . . . placing it outside the area of ...
Contenido
The Origins of an Erotics | 29 |
Chapter 2 | 38 |
Chapter 3 | 59 |
Derechos de autor | |
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Sex Drives: Fantasies of Fascism in Literary Modernism Laura Catherine Frost Vista previa limitada - 2002 |
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Referencias a este libro
The Economics of Fantasy: Rape in Twentieth-century Literature Sharon Stockton Vista previa limitada - 2006 |