| Judith Spector - 1986 - 268 páginas
...to Oedipus? Isn't storytelling always a way of searching for one's origins, speaking one's conflicts with the Law, entering into the dialectic of tenderness and hatred? As fiction, Oedipus was at least gcxxl for something: to make gcx>d novels, to tell good stories.8 The passage from ignorance to knowledge,... | |
| Mark C. Taylor - 1987 - 233 páginas
...have traveled in my youth, I have wandered in search of a book, perhaps a catalogue of catalogues .... If there is no longer a Father, why tell stories? Doesn't every narrative lead back to Oedipus? Books.—What good is a book that does not even carry us beyond all books? Yet, all that Hegel thought... | |
| Gudrun Grabher, Maureen Devine - 1992 - 244 páginas
...line. If patrilinear narrative is robbed of the father, Roland Barthes's questions are understandable: Death of the father would deprive literature of many...story-telling always a way of searching for one's origin [...]? 5 If "the father" disappears from the text, it loses its author-ity. The "death of the father"... | |
| Harvey R. Greenberg - 1994 - 292 páginas
..."The writer is someone who plays with his mother's body ... in order to glorify [and] embellish it";27 "Doesn't every narrative lead back to Oedipus? Isn't...Law, entering into the dialectic of tenderness and hatred?"28 Pace other contributing factors, one speculates on the extent to which the shape (perhaps... | |
| Werner Delanoy, Johann Köberl, Heinz Tschachler - 1993 - 320 páginas
...criticism since linearity in narrative has been recognized as patrilineal. As Roland Barthes commented, "If there is no longer a father, why tell stories?...story-telling always a way of searching for one's origin?"" For Barthes, once the father has disappeared from the text, it has no author-ity; the text is authorless,... | |
| Wimal Dissanayake - 1994 - 264 páginas
...Pleasure of the Text, trans. Richard Miller (New York: Hill and Wang, 1975), p. 47, and reads in full: "If there is no longer a Father, why tell stories?...way of searching for one's origin, speaking one's conflicts with the Law, entering into the dialectic of tenderness and hatred?" Without understanding... | |
| Veronica Kelly, Dorothea von Mücke - 1994 - 364 páginas
...shapes its readers as politically gendered citizen-critics of the Republic of Letters. The Father The death of the Father would deprive literature of many...If there is no longer a Father, why tell stories? — Roland Bardies, The Pleasure of the Text The monarch who reigned for so long is no more. He made... | |
| Manuela Gieri - 1995 - 392 páginas
...d'un meme coup l'Oedipe et le recit: on n'aime plus, on ne craint plus, on ne raconte plus.'87 The death of the Father would deprive literature of many...there is no longer a Father, why tell stories? Doesn't any narrative lead back to Oedipus? Isn't storytelling always a way of searching for one's origin,... | |
| Arran Gare - 1995 - 206 páginas
...achieve. He ended his book The Pleasure of the Text reflecting on the pervasiveness of this theme: 'Doesn't every narrative lead back to Oedipus? Isn't...way of searching for one's origin, speaking one's conflicts with the Law, entering into the dialectic of tenderness and hatred?'90 It is through such... | |
| Werner Senn - 1996 - 294 páginas
...the Law. For Barthes, the conflict with the father is a key to creativity and (readerly) pleasure: Death of the Father would deprive literature of many...way of searching for one's origin, speaking one's conflicts with the Law, entering into the dialectic of tenderness and hatred? (Barthes 1975: 47) Salman... | |
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