Medium Cool: Music Videos from Soundies to Cellphones

Portada
Roger Beebe, Jason Middleton
Duke University Press, 26 sept 2007 - 360 páginas
Music videos are available on more channels, in more formats, and in more countries than ever before. While MTV—the network that introduced music video to most viewers—is moving away from music video programming, other media developments signal the longevity and dynamism of the form. Among these are the proliferation of niche-based cable and satellite channels, the globalization of music video production and programming, and the availability of videos not just on television but also via cell phones, DVDs, enhanced CDs, PDAs, and the Internet. In the context of this transformed media landscape, Medium Cool showcases a new generation of scholarship on music video. Scholars of film, media, and music revisit and revise existing research as they provide historically and theoretically expansive new perspectives on music video as a cultural form.

The essays take on a range of topics, including questions of authenticity, the tension between high-art influences and mass-cultural appeal, the prehistory of music video, and the production and dissemination of music videos outside the United States. Among the thirteen essays are a consideration of how the rapper Jay-Z uses music video as the primary site for performing, solidifying, and discarding his various personas; an examination of the recent emergence of indigenous music video production in Papua New Guinea; and an analysis of the cultural issues being negotiated within Finland’s developing music video industry. Contributors explore precursors to contemporary music videos, including 1950s music television programs such as American Bandstand, Elvis’s internationally broadcast 1973 Aloha from Hawaii concert, and different types of short musical films that could be viewed in “musical jukeboxes” of the 1940s and 1960s. Whether theorizing music video in connection to postmodernism or rethinking the relation between sound and the visual image, the essays in Medium Cool reveal music video as rich terrain for further scholarly investigation.

Contributors. Roger Beebe, Norma Coates, Kay Dickinson, Cynthia Fuchs, Philip Hayward, Amy Herzog, Antti-Ville Kärjä, Melissa McCartney, Jason Middleton, Lisa Parks, Kip Pegley, Maureen Turim, Carol Vernallis, Warren Zanes

 

Páginas seleccionadas

Índice

Jason Middleton and Roger Beebe Introduction
1
Kay Dickinson Music Video and Synaesthetic Possibility
13
The Impossible Embodiments of the Jukebox Film
30
Jason Middleton The AudioVision of FoundFootage Film and Video
59
Maureen Turim ArtMusicVideocom
83
The Nature of Narrativity Characterand Editing in Music Videos
111
Music Video in Papua New Guinea
152
Finnish Music Videos and Secured Otherness
174
Exploring the Imagined Communities of Much Music Canada and MTV United States
200
1950s Music Television and the Gendering of Rock Discourse
226
Aloha Elvis Live via Satellite and MusicTourismTelevision
252
Warren Zanes video and the theater of Purity
269
The Death of JayZ
290
Spike Jonze Hype Williams and the Race of the Postmodern Auteur
303
Bibliography
329
Contributors
341

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Sobre el autor (2007)

Roger Beebe is Associate Professor of Film and Media Studies in the English Department at the University of Florida. He is a coeditor of Rock Over the Edge: Transformations in Popular Music Culture, also published by Duke University Press.

Jason Middleton is an Assistant Professor of Film and Media Studies in the English Department at the University of Rochester.

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