DR. DONNE: HÌS HOLY SONNETS. Seal then this bill of my divorce to all, On whom those fainter beams of love did fall; And, to 'scape stormy days, I choose An everlasting night. 121 To do justice to this poem, the reader must take some trouble to enter into the poet's mood. It is in a measure distressing that, while I grant with all my heart the claim of his "Muse's white sincerity," the taste in—I do not say of-some of his best poems should be such that I will not present them. Out of twenty-three Holy Sonnets, every one of which, I should almost say, possesses something remarkable, I choose three. Rhymed after the true Petrarchian fashion, their rhythm is often as bad as it can be to be called rhythm at all. Yet these are very fine. Thou hast made me, and shall thy work decay? By thy leave I can look, I rise again; That not one hour myself I can sustain : If faithful souls be alike glorified As angels, then my father's soul doth see, That valiantly I hell's wide mouth o'erstride : By circumstances and by signs that be How shall my mind's white truth by them be tried? Dissemblers feign devotion. Then turn, Death, be not proud, though some have called thee For those whom thou think'st thou dost overthrow, Much pleasure, then from thee much more must flow; Rest of their bones, and soul's delivery! Thou'rt slave to fate, chance, kings, and desperate men, And dost with poison, war, and sickness dwell; And poppy or charms can make us sleep as well, And better than thy stroke. Why swell'st thou then? One short sleep past, we wake eternally, And death shall be no more: Death, thou shalt die. In a poem called The Cross, full of fantastic conceits, we find the following remarkable lines, embodying the profoundest truth. As perchance carvers do not faces make, But that away, which hid them there, do take: 1 "If they know us not by intuition, but by judging from circumstances RESURRECTION. 123 One more, and we shall take our leave of Dr. Donne. It is called a fragment; but it seems to me complete. It will serve as a specimen of his best and at the same time of his most characteristic mode of presenting fine thoughts grotesquely attired. RESURRECTION. Sleep, sleep, old sun; thou canst not have re-past1 For these three days become a mineral. He was all gold when he lay down, but rose Of power to make even sinful flesh like his. What a strange mode of saying that he is our head, the captain of our salvation, the perfect humanity in which our life is hid! Yet it has its dignity. When one has got over the oddity of these 1 A strange use of the word; but it evidently means recovered, and has some analogy with the French repasser. last six lines, the figure contained in them shows itself almost grand. As an individual specimen of the grotesque form holding a fine sense, regard for a moment the words, He was all gold when he lay down, but rose which means, that, entirely good when he died, he was something yet greater when he rose, for he had gained the power of making others good: the tincture intended here was a substance whose touch would turn the basest metal into gold. Through his poems are scattered many fine passages; but not even his large influence on the better poets who followed is sufficient to justify our listening to him longer now. CHAPTER VIII. BISHOP HALL AND GEORGE SANDYS. JOSEPH HALL, born in 1574, a year after Dr. Donne, bishop, first of Exeter, next of Norwich, is best known by his satires. It is not for such that I can mention him the most honest satire can claim no place amongst religious poems. It is doubtful if satire ever did any good. Its very language is that of the halfbrute from which it is well named. Here are three poems, however, which the bishop wrote for his choir. My sport sin too, my What end of sin? Hell's horror never ending: My way, my trade, sport, stay, and place, |