The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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... American Poetry had appeared , is far and away the most characteristically " avant - gardist " work to come out of the “ new Ameri- can poetry . " That same year , in Paris , Ashbery was writing in a French journal about how American ...
... American Poetry had appeared , is far and away the most characteristically " avant - gardist " work to come out of the “ new Ameri- can poetry . " That same year , in Paris , Ashbery was writing in a French journal about how American ...
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... American Verse . Cambridge : Cambridge University Press , 1983 . Gardner , Thomas . " American Poetry of the 1970s : A Preface . " Contemporary Litera- ture 23 ( 1982 ) : 407-10 . Gery , John . " The Anxiety of Affluence : Poets after ...
... American Verse . Cambridge : Cambridge University Press , 1983 . Gardner , Thomas . " American Poetry of the 1970s : A Preface . " Contemporary Litera- ture 23 ( 1982 ) : 407-10 . Gery , John . " The Anxiety of Affluence : Poets after ...
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... American Poetry 3 , no . I ( 1985 ) : 24-42 . Miller , Stephen Paul . " " Self - Portrait in a Convex Mirror , ' the Watergate Affair , and John's Crosshatch Paintings : Surveillance and Reality - Testing in the Mid - Seven- ties ...
... American Poetry 3 , no . I ( 1985 ) : 24-42 . Miller , Stephen Paul . " " Self - Portrait in a Convex Mirror , ' the Watergate Affair , and John's Crosshatch Paintings : Surveillance and Reality - Testing in the Mid - Seven- ties ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York