The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 280 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 216
... Bernstein's own apprehensive grasp , may be . The intricacy , and seriousness , of Bernstein's cryptography may be illus- trated by the opening sentence of " The Harbor of Illusion " ( crypt phrase : " to harbor illusions " ) , which ...
... Bernstein's own apprehensive grasp , may be . The intricacy , and seriousness , of Bernstein's cryptography may be illus- trated by the opening sentence of " The Harbor of Illusion " ( crypt phrase : " to harbor illusions " ) , which ...
Página 220
... Bernstein's argument recalls not only " The System " but Ashbery's timepiece in three stanzaic tenses , " Blue Sonata , " a poem which takes up the didactic , ob- jective discourse of Eliot's Burnt Norton : Long ago was the then ...
... Bernstein's argument recalls not only " The System " but Ashbery's timepiece in three stanzaic tenses , " Blue Sonata , " a poem which takes up the didactic , ob- jective discourse of Eliot's Burnt Norton : Long ago was the then ...
Página 222
... Bernstein's ideographic text : " So we ; juxtapose a , healthy sprinkle of : punctuation to . break up , the : normal - usage & ; see ; what ! you get " ; here the punctuation - what kind doesn't matter - calls atten- tion to itself not ...
... Bernstein's ideographic text : " So we ; juxtapose a , healthy sprinkle of : punctuation to . break up , the : normal - usage & ; see ; what ! you get " ; here the punctuation - what kind doesn't matter - calls atten- tion to itself not ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York