The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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... to the radical Sulfur ) may only confuse matters . " Fence - sit- ting " is not every poet's " aesthetic ideal , " as Ashbery claims it is in " Soonest Mended , " from The Double Dream of Spring . I Introduction Schultz I.
... to the radical Sulfur ) may only confuse matters . " Fence - sit- ting " is not every poet's " aesthetic ideal , " as Ashbery claims it is in " Soonest Mended , " from The Double Dream of Spring . I Introduction Schultz I.
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... Double Dream of Spring , is what I remem- ber describing once as a failed Orphic , perhaps even deliberately failed . " " The critic's standard of judgment , then , is the critic's standard of judgment ; Ash- bery is great because Bloom ...
... Double Dream of Spring , is what I remem- ber describing once as a failed Orphic , perhaps even deliberately failed . " " The critic's standard of judgment , then , is the critic's standard of judgment ; Ash- bery is great because Bloom ...
Página 95
... Double Dream of Spring , " DDS 41 ) The language of stubbornness catalogs more than it defines . This is the use of appetite , for motivation . We have all lived “ mixed days , " and we can all look back on " mindless years . " Yet we ...
... Double Dream of Spring , " DDS 41 ) The language of stubbornness catalogs more than it defines . This is the use of appetite , for motivation . We have all lived “ mixed days , " and we can all look back on " mindless years . " Yet we ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York