The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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... John Ashbery are reprinted by per- mission of Georges Borchardt , Inc. , for John Ashbery : From The Vermont Notebook ( Los Angeles : Black Sparrow Press , 1975 ) , copyright © 1975 by John Ashbery . From The Double Dream of Spring ...
... John Ashbery are reprinted by per- mission of Georges Borchardt , Inc. , for John Ashbery : From The Vermont Notebook ( Los Angeles : Black Sparrow Press , 1975 ) , copyright © 1975 by John Ashbery . From The Double Dream of Spring ...
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... John : Ashbery and Contemporary Poetry will take the criti- cism I've discussed thus far as a prolegomenon ; the focus of these essays , how- ever , is on Ashbery's work as context more than on his work as text . Not only does this ...
... John : Ashbery and Contemporary Poetry will take the criti- cism I've discussed thus far as a prolegomenon ; the focus of these essays , how- ever , is on Ashbery's work as context more than on his work as text . Not only does this ...
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... John Ashbery . New York : Chelsea House , 1985 . Modern Critical Views : John Ashbery . New York : Chelsea House , 1985 . Bronk , William . " Boiled Down . " In Living Instead , 96. San Francisco : North Point , 1991 . • " Copan ...
... John Ashbery . New York : Chelsea House , 1985 . Modern Critical Views : John Ashbery . New York : Chelsea House , 1985 . Bronk , William . " Boiled Down . " In Living Instead , 96. San Francisco : North Point , 1991 . • " Copan ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York