The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 114
... Lauterbach's work consistently invokes the tonal range of this passage , where the elegiac , desire , and reverie overlap . That Lauterbach selects one of Ash- bery's most conventional lyrics reveals the distinction between her poetics ...
... Lauterbach's work consistently invokes the tonal range of this passage , where the elegiac , desire , and reverie overlap . That Lauterbach selects one of Ash- bery's most conventional lyrics reveals the distinction between her poetics ...
Página 115
... Lauterbach writes in the poem " Still Life with Apricots . " While Ashbery seeks a socially defined ethic - the interconnectiveness of eros - Lauterbach seeks an aesthetically conditioned ethics . Beauty , merit , and surprise are the ...
... Lauterbach writes in the poem " Still Life with Apricots . " While Ashbery seeks a socially defined ethic - the interconnectiveness of eros - Lauterbach seeks an aesthetically conditioned ethics . Beauty , merit , and surprise are the ...
Página 117
... Lauterbach's recasting of language limns the movements of desire : Over the years I've come to realize And then drift back , as if a sweet scent Was worth the trip . She'll go anywhere for a kiss And so she will . I like the feel of no ...
... Lauterbach's recasting of language limns the movements of desire : Over the years I've come to realize And then drift back , as if a sweet scent Was worth the trip . She'll go anywhere for a kiss And so she will . I like the feel of no ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York