The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 49
... notes that make the piece fuller and fuller as it progresses , the new " notes " here are " the horns of elfland ” swinging past and the music of the Sibelius concerto . These will become the dominant notes of the next stanza , which ...
... notes that make the piece fuller and fuller as it progresses , the new " notes " here are " the horns of elfland ” swinging past and the music of the Sibelius concerto . These will become the dominant notes of the next stanza , which ...
Página 149
... note the workings of culture . Thus art can be a kind of spy . Indeed , since art is inescap- ably political , overt content ... notes , Ash- bery's poetry is often organized by the evocation of an Emersonian " Beautiful Necessity . " By ...
... note the workings of culture . Thus art can be a kind of spy . Indeed , since art is inescap- ably political , overt content ... notes , Ash- bery's poetry is often organized by the evocation of an Emersonian " Beautiful Necessity . " By ...
Página 254
... notes awash on the great flood , ruptures of xylophone , violins , limpets , grace - notes , the musical instrument called ser- pent , viola da gambas , aeolian harps , clavicles , pinball machines , electric drills , que sais - je ...
... notes awash on the great flood , ruptures of xylophone , violins , limpets , grace - notes , the musical instrument called ser- pent , viola da gambas , aeolian harps , clavicles , pinball machines , electric drills , que sais - je ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York