The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 280 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 41
... Trees , his first published book , and the innovative experimentation of The Ten- nis Court Oath , which secured his reputation as an avant - garde poet . Nearly all of the qualities we associate with Ashbery's mature voice are already ...
... Trees , his first published book , and the innovative experimentation of The Ten- nis Court Oath , which secured his reputation as an avant - garde poet . Nearly all of the qualities we associate with Ashbery's mature voice are already ...
Página 70
... trees , " yet symbols persist . Ashbery often presents himself as a poet of “ paysage moralisé , " but the landscape , the moral vision , and the terms of their connection are all in flux . He does not simply map thought and feeling ...
... trees , " yet symbols persist . Ashbery often presents himself as a poet of “ paysage moralisé , " but the landscape , the moral vision , and the terms of their connection are all in flux . He does not simply map thought and feeling ...
Página 72
... Trees , the tree has been a major iconographic feature of his work . The first idea is , of course , the Tree of Knowledge , and it is under this tree that the pastoral and epistemological tra- ditions of landscape form a partnership . The ...
... Trees , the tree has been a major iconographic feature of his work . The first idea is , of course , the Tree of Knowledge , and it is under this tree that the pastoral and epistemological tra- ditions of landscape form a partnership . The ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York