The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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... York school of poets- “ Of what use is the label ' the New York School of poetry ' for understanding the very different writers ... frequently grouped under that heading ? " 16 - Ashbery remains 4 Susan M. Schultz.
... York school of poets- “ Of what use is the label ' the New York School of poetry ' for understanding the very different writers ... frequently grouped under that heading ? " 16 - Ashbery remains 4 Susan M. Schultz.
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... York school or any other context . While most of the essays are not New Critical in their method , they treat the poet himself as a well - wrought urn , reading him , like the good New Critical poem , only on " his own " terms . Even ...
... York school or any other context . While most of the essays are not New Critical in their method , they treat the poet himself as a well - wrought urn , reading him , like the good New Critical poem , only on " his own " terms . Even ...
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... York : Monthly Re- view Press , 1971 . Altieri , Charles . " Ashbery as Love - Poet . " Verse 8 , no . 1 ( Spring ... York : Viking , 1987 . • • • As We Know . New York : Viking , 1979 . The Double Dream of Spring . New York : Dutton ...
... York : Monthly Re- view Press , 1971 . Altieri , Charles . " Ashbery as Love - Poet . " Verse 8 , no . 1 ( Spring ... York : Viking , 1987 . • • • As We Know . New York : Viking , 1979 . The Double Dream of Spring . New York : Dutton ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York