The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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... Beauty , " copyright © 1987 by Jorie Graham . First printed by The Ecco Press in 1987. Reprinted with per- mission . Ann Lauterbach . Excerpts from Before Recollection , copyright © 1987 by Princeton University Press . Reprinted by ...
... Beauty , " copyright © 1987 by Jorie Graham . First printed by The Ecco Press in 1987. Reprinted with per- mission . Ann Lauterbach . Excerpts from Before Recollection , copyright © 1987 by Princeton University Press . Reprinted by ...
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... beauty of his example , his fatal trajeс- tory . Orpheus " is no longer / Material for a poem , " and so the poem finds other material . The reckless economy of poetry teaches that " stellification / Is for the few , " that out of many ...
... beauty of his example , his fatal trajeс- tory . Orpheus " is no longer / Material for a poem , " and so the poem finds other material . The reckless economy of poetry teaches that " stellification / Is for the few , " that out of many ...
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... Beauty , merit , and surprise are the functioning elements of this poetic equation ; importantly , beauty does not equal surprise , as in a Dadaist work , but beauty and surprise merit each other or give each other value . Recalling ...
... Beauty , merit , and surprise are the functioning elements of this poetic equation ; importantly , beauty does not equal surprise , as in a Dadaist work , but beauty and surprise merit each other or give each other value . Recalling ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes Bernstein bery bery's Bloom CALIFORNIA SANTA CRUZ Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York