The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 280 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 35
... becomes its own access to a sublime moment in which the very form of lover's time becomes really present , if only as a shadow cast by the imperatives of the lover's demands . in III I grow so idealistic in praising Ashbery's ...
... becomes its own access to a sublime moment in which the very form of lover's time becomes really present , if only as a shadow cast by the imperatives of the lover's demands . in III I grow so idealistic in praising Ashbery's ...
Página 37
... becomes a riddle to itself . From the start the day is divided against itself - victim at once of forces it cannot understand and of its own efforts to compose a resistance to those forces . But resistance proves little more than a self ...
... becomes a riddle to itself . From the start the day is divided against itself - victim at once of forces it cannot understand and of its own efforts to compose a resistance to those forces . But resistance proves little more than a self ...
Página 77
... becomes a contrivance , a landscape designed to attract by its illusion of naturalness — a picnic ground . This is the logic in Ashbery's task of vision : the blurred slope of vision leads to a promise of transparence , which turns out ...
... becomes a contrivance , a landscape designed to attract by its illusion of naturalness — a picnic ground . This is the logic in Ashbery's task of vision : the blurred slope of vision leads to a promise of transparence , which turns out ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York