The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 32
... calls the lovers beyond their fantasies to some enabling sense of their grounds . Thus Ashbery finds his means of connection to the beloved precisely where traditional love poetry finds its greatest diffi- culty - in distinguishing ...
... calls the lovers beyond their fantasies to some enabling sense of their grounds . Thus Ashbery finds his means of connection to the beloved precisely where traditional love poetry finds its greatest diffi- culty - in distinguishing ...
Página 170
... calls the “ prefigu- rative act " by which historians determine “ as a possible object of knowledge the set of ... call simply evolutionary , involving , above all , the quiet celebration of the survival of poetry in a challenging envi ...
... calls the “ prefigu- rative act " by which historians determine “ as a possible object of knowledge the set of ... call simply evolutionary , involving , above all , the quiet celebration of the survival of poetry in a challenging envi ...
Página 182
... calls for - or hears a call for - not a world to read but a world of reading , not a static , explanatory system but a dynamic , responsive one . It needs to be a system capable of avoiding the determinate forces of , on the one hand ...
... calls for - or hears a call for - not a world to read but a world of reading , not a static , explanatory system but a dynamic , responsive one . It needs to be a system capable of avoiding the determinate forces of , on the one hand ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York