The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 15
... character whose role is to transcend character . But Ash- bery is not at all at home with transcendence . On the contrary , the convex mir- ror of Ashbery's multiplex referentiality places the poet on equal terms with every other item ...
... character whose role is to transcend character . But Ash- bery is not at all at home with transcendence . On the contrary , the convex mir- ror of Ashbery's multiplex referentiality places the poet on equal terms with every other item ...
Página 221
... Character Literally an onomatopoeic name for an engraving tool's chiseled mark , " character " measure foregrounds the materiality of the character stroke . Char- acters raise the written , spatial , and visible , as well as the ...
... Character Literally an onomatopoeic name for an engraving tool's chiseled mark , " character " measure foregrounds the materiality of the character stroke . Char- acters raise the written , spatial , and visible , as well as the ...
Página 224
... character - measured experiments . Perhaps his most entertaining in- terlude in character measure is his 1967 work “ one hundred multiple- CHOICE QUESTIONS . » 14 Printed like an aptitude or " personality " test , the poem bristles with ...
... character - measured experiments . Perhaps his most entertaining in- terlude in character measure is his 1967 work “ one hundred multiple- CHOICE QUESTIONS . » 14 Printed like an aptitude or " personality " test , the poem bristles with ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York