The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 103
... condition of Semele is emblematic of our condition : How do we explain the harm , feeling We are always the effortless discoverers of our career , With each day digging the grave of tomorrow and at the same time Preparing its own ...
... condition of Semele is emblematic of our condition : How do we explain the harm , feeling We are always the effortless discoverers of our career , With each day digging the grave of tomorrow and at the same time Preparing its own ...
Página 110
... condition of excess . Language cannot be completely controlled , despite authorial inten- tion . Ashbery has long recognized this condition and finds in it , not despair , but the possibilities of creation . Not to control or manage the ...
... condition of excess . Language cannot be completely controlled , despite authorial inten- tion . Ashbery has long recognized this condition and finds in it , not despair , but the possibilities of creation . Not to control or manage the ...
Página 116
... condition the poem expresses is mutable , or we as readers will subject the poem to revisionary readings , or something undisclosed in the poem may change . These final lines of " Subject to Change " describe a condition of almost ...
... condition the poem expresses is mutable , or we as readers will subject the poem to revisionary readings , or something undisclosed in the poem may change . These final lines of " Subject to Change " describe a condition of almost ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York