The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 280 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 46
... continues beyond death ; with the passing of each writer , a body of work remains that " follows and falls behind ” the life and becomes its posterity . Ashbery's latest work seems very much focused on that which will follow and fall ...
... continues beyond death ; with the passing of each writer , a body of work remains that " follows and falls behind ” the life and becomes its posterity . Ashbery's latest work seems very much focused on that which will follow and fall ...
Página 51
... continue , the next stanza would begin with the identical line that began the poem . The cycle of optimism and pessimism , wonder and despair , pleasure and pain , light and darkness , the rose and its thorns , would continue , as of ...
... continue , the next stanza would begin with the identical line that began the poem . The cycle of optimism and pessimism , wonder and despair , pleasure and pain , light and darkness , the rose and its thorns , would continue , as of ...
Página 237
... Continue , " likewise contains a single punctua- tion mark , a period , placed at the end of the first rather than the last stanza . After opening with a lyrical " Oh , " each of the poem's stanzas continues with " And , " leveling ...
... Continue , " likewise contains a single punctua- tion mark , a period , placed at the end of the first rather than the last stanza . After opening with a lyrical " Oh , " each of the poem's stanzas continues with " And , " leveling ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York