The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 66
... course framed and controlled , the hazard put at an aesthetic dis- tance . " 8 At one level these are probably tacky imitations of Turner , and Ashbery's pleasure in them has an element of camp . But the poet's way is often to recog ...
... course framed and controlled , the hazard put at an aesthetic dis- tance . " 8 At one level these are probably tacky imitations of Turner , and Ashbery's pleasure in them has an element of camp . But the poet's way is often to recog ...
Página 86
... course the personality and states of mind it is called on to validate today aren't those of thirty years ago , a difference which is reflected in the nature of the poetry which is supposed to accomplish the task . But then clothes ...
... course the personality and states of mind it is called on to validate today aren't those of thirty years ago , a difference which is reflected in the nature of the poetry which is supposed to accomplish the task . But then clothes ...
Página 134
... course : more keeps getting included Without adding to the sum , and just as one Gets accustomed to a noise that Kept one awake but now no longer does , So the room contains this flow like an hourglass Without varying in climate or ...
... course : more keeps getting included Without adding to the sum , and just as one Gets accustomed to a noise that Kept one awake but now no longer does , So the room contains this flow like an hourglass Without varying in climate or ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York