The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 33
... creates and sustains the " now , " leaving no residue and inviting no alienation . Then the relation between the " now ... create , and it does so while avoiding any single image or idea that would rein- troduce the cycle of demand and ...
... creates and sustains the " now , " leaving no residue and inviting no alienation . Then the relation between the " now ... create , and it does so while avoiding any single image or idea that would rein- troduce the cycle of demand and ...
Página 102
... created by the fusion , as Ashbery states , of " the object and its nimbus of sensations , wrapped in one package ... create sets of narratives that are ambiguous yet offer an intimation of recognition . Cornell creates scales of ...
... created by the fusion , as Ashbery states , of " the object and its nimbus of sensations , wrapped in one package ... create sets of narratives that are ambiguous yet offer an intimation of recognition . Cornell creates scales of ...
Página 215
... creates a polyphony that interests me " ( CD 456 ) . In a 1981 interview , Bernstein ex- pands this musical analogy : Polyvalences and polyrhythms occurring overall throughout the poem create a music of the text , a music that has to do ...
... creates a polyphony that interests me " ( CD 456 ) . In a 1981 interview , Bernstein ex- pands this musical analogy : Polyvalences and polyrhythms occurring overall throughout the poem create a music of the text , a music that has to do ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York