The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 280 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 30
... desire , it is not surprising that for secular culture the subject position of the lover be- comes one of the most exalted models of individual life at its fullest . But that appeal to idealization also threatens to subject the author ...
... desire , it is not surprising that for secular culture the subject position of the lover be- comes one of the most exalted models of individual life at its fullest . But that appeal to idealization also threatens to subject the author ...
Página 72
... desire has pulled the cart away . Ashbery subverts the linear narrative he invokes - here he introduces uncontextualized characters , specific but nonmimetic scenes , seeds of plot that are never resolved . The poem is driven by an ...
... desire has pulled the cart away . Ashbery subverts the linear narrative he invokes - here he introduces uncontextualized characters , specific but nonmimetic scenes , seeds of plot that are never resolved . The poem is driven by an ...
Página 99
... desire to make and the de- sire to be remade . Ashbery replaces mimesis with amazement without recourse to Dadaist excess , but via a constant preparedness to be unprepared by the next word , the next phrase , the next situation ...
... desire to make and the de- sire to be remade . Ashbery replaces mimesis with amazement without recourse to Dadaist excess , but via a constant preparedness to be unprepared by the next word , the next phrase , the next situation ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York