The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 85
... effect . It rarely acknowledged its status as writing , and its attitude toward the impulses of romanticism was one of irony and condescension . The generic poem of today seems quite different ( though just as unappeal- ing and ...
... effect . It rarely acknowledged its status as writing , and its attitude toward the impulses of romanticism was one of irony and condescension . The generic poem of today seems quite different ( though just as unappeal- ing and ...
Página 204
... effects , this kind of writing strategy is less planned than unconsciously agreed upon . Any liberal reading , in effect , will make us consciously aware 204 Andrew Ross.
... effects , this kind of writing strategy is less planned than unconsciously agreed upon . Any liberal reading , in effect , will make us consciously aware 204 Andrew Ross.
Página 205
... effect of defamiliarization is precisely to demon- strate how " original " effects are always a function of the given and the con- ventional , and that they are constantly being generated out of our newly es- tranged relation to the ...
... effect of defamiliarization is precisely to demon- strate how " original " effects are always a function of the given and the con- ventional , and that they are constantly being generated out of our newly es- tranged relation to the ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York