The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 51
... final lines bring us full circle once again to the first and third lines of the opening stanza : You mop your forehead with a rose , recommending its thorns . Research has shown that ballads were produced by all of society ; Only night ...
... final lines bring us full circle once again to the first and third lines of the opening stanza : You mop your forehead with a rose , recommending its thorns . Research has shown that ballads were produced by all of society ; Only night ...
Página 93
... final , and feckless utterance " And I am lost without you . " If I have no single destination , I cannot be lost ... final word expresses defeat . John Ashbery does not deny that a final word always gets said . The trick is to prolong ...
... final , and feckless utterance " And I am lost without you . " If I have no single destination , I cannot be lost ... final word expresses defeat . John Ashbery does not deny that a final word always gets said . The trick is to prolong ...
Página 115
... final line is cast as an apostrophe and as a singular lyric voice : “ O flock of wild blue birds descending ! " This final cry is a re - visioning of the lyric in that it counters the previous " A false provision inspiring truths ...
... final line is cast as an apostrophe and as a singular lyric voice : “ O flock of wild blue birds descending ! " This final cry is a re - visioning of the lyric in that it counters the previous " A false provision inspiring truths ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York