The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 280 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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... influence of John Ashbery . John Gery tropes Bloom , revising the " anxiety of influence " into " the anxiety of affluence . " " Ashbery , " Gery claims , " deconstruct [ s ] the very tradition Bloom describes , thereby opening up the ...
... influence of John Ashbery . John Gery tropes Bloom , revising the " anxiety of influence " into " the anxiety of affluence . " " Ashbery , " Gery claims , " deconstruct [ s ] the very tradition Bloom describes , thereby opening up the ...
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Ashbery and Contemporary Poetry Susan M. Schultz. ture discussions of Ashbery's influence , or lack thereof , even as it creates a book that is more dialogue than univocal statement . Several contributors question the importance of ...
Ashbery and Contemporary Poetry Susan M. Schultz. ture discussions of Ashbery's influence , or lack thereof , even as it creates a book that is more dialogue than univocal statement . Several contributors question the importance of ...
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... Influence Donald Revell THE PRESUMPTION OF self - knowledge endangers a poet by subordinating what is made to a fixed idea of the maker , the Dedalian . Eliot's dictum con- cerning escape from personality suggests a technique : the ...
... Influence Donald Revell THE PRESUMPTION OF self - knowledge endangers a poet by subordinating what is made to a fixed idea of the maker , the Dedalian . Eliot's dictum con- cerning escape from personality suggests a technique : the ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York