The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 61
... knowledge is a landscape " is indeed one of the metaphors we live by , just as " sight ” is our Enlightenment term for understanding . There is no obvious ne- cessity in this metaphor : the Maori of New Zealand speak of knowledge as ...
... knowledge is a landscape " is indeed one of the metaphors we live by , just as " sight ” is our Enlightenment term for understanding . There is no obvious ne- cessity in this metaphor : the Maori of New Zealand speak of knowledge as ...
Página 68
... knowledge , yet they are charged with strangeness , not beyond knowledge , but ahead of it . Thus in " A Wave " Ashbery remarks that knowing ( as opposed to knowledge ) can have this Sublime rind of excitement , like the 68 | Bonnie ...
... knowledge , yet they are charged with strangeness , not beyond knowledge , but ahead of it . Thus in " A Wave " Ashbery remarks that knowing ( as opposed to knowledge ) can have this Sublime rind of excitement , like the 68 | Bonnie ...
Página 77
... knowledge , a freshly cultivated landscape , through groundwork . His plan is a " legend , " a dream of fruitfulness , and a key to knowledge . His ambitious dream includes an inte- gration of harvesting and planting , a " braided ...
... knowledge , a freshly cultivated landscape , through groundwork . His plan is a " legend , " a dream of fruitfulness , and a key to knowledge . His ambitious dream includes an inte- gration of harvesting and planting , a " braided ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York