The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 57
... leaves , around an outdoor table , but they insist on nothing and are remembered only as disquieting examples of how life might be in that other halting yet prosperous time when games of strength were put away . ( FC 11-12 ) One lives ...
... leaves , around an outdoor table , but they insist on nothing and are remembered only as disquieting examples of how life might be in that other halting yet prosperous time when games of strength were put away . ( FC 11-12 ) One lives ...
Página 91
... leaves are not Winter's because it is the end . ( " Illustration , " SoTr 61 ) Influence begins as an incident of disturbance . It continues as a sequence of disturbances in a manner that Robert Lowell described as " stirring and blur ...
... leaves are not Winter's because it is the end . ( " Illustration , " SoTr 61 ) Influence begins as an incident of disturbance . It continues as a sequence of disturbances in a manner that Robert Lowell described as " stirring and blur ...
Página 92
... leaves open the possibilities of new hybrid intentions and makes of saying an escape from what I merely meant to say . Ambition delays meaning in order to mean more largely , more generously , abetted by the neces- sary cooperation of ...
... leaves open the possibilities of new hybrid intentions and makes of saying an escape from what I merely meant to say . Ambition delays meaning in order to mean more largely , more generously , abetted by the neces- sary cooperation of ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York