The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 48
... lines . A simpler version of this form occurs in the poem " Seasonal , " a pantoum ( four quatrains in which lines 2 and 4 of the first stanza recur as lines 1 and 3 of the succeeding stanza , and lines 2 and 4 of that stanza recur as lines ...
... lines . A simpler version of this form occurs in the poem " Seasonal , " a pantoum ( four quatrains in which lines 2 and 4 of the first stanza recur as lines 1 and 3 of the succeeding stanza , and lines 2 and 4 of that stanza recur as lines ...
Página 233
... line . Dickinson's synco- pated lines - with open - ended dashes at the ends and halting capitals in the middles - and Whitman's fugitive catalog lines cut out the patterns from which American poets have worked . I can only mention here ...
... line . Dickinson's synco- pated lines - with open - ended dashes at the ends and halting capitals in the middles - and Whitman's fugitive catalog lines cut out the patterns from which American poets have worked . I can only mention here ...
Página 234
... lines . Ashbery's first poems were composed of surreally artificed lines , a man- nered tendency furthered by his penchant for rare , Audenesque fixed forms . But these early lines , either too empty or too full , were never complete ...
... lines . Ashbery's first poems were composed of surreally artificed lines , a man- nered tendency furthered by his penchant for rare , Audenesque fixed forms . But these early lines , either too empty or too full , were never complete ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York