The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 9
... lyric or epic . James McCorkle , for one , suggests that we can still talk about the lyric , rather than arguing , like Charles Bernstein in A Poetics ( 1992 ) , that there is no difference between poetry and prose . Yet his lyric is ...
... lyric or epic . James McCorkle , for one , suggests that we can still talk about the lyric , rather than arguing , like Charles Bernstein in A Poetics ( 1992 ) , that there is no difference between poetry and prose . Yet his lyric is ...
Página 101
... lyric , which demands an autonomous voice , would seem to ensconce the self further and thus exclude Ashbery's work as lyric , although his thematic concerns are thoroughly those defining the lyric . ' Instead , Ashbery's work ...
... lyric , which demands an autonomous voice , would seem to ensconce the self further and thus exclude Ashbery's work as lyric , although his thematic concerns are thoroughly those defining the lyric . ' Instead , Ashbery's work ...
Página 102
... lyric . The epiphanic as lyric precludes eros , yet eros as lyric always enfolds the possibility of the epiphanic . Thus , Ashbery commences a reconsideration of the relation between eros and the lyric . The poems of Ashbery and ...
... lyric . The epiphanic as lyric precludes eros , yet eros as lyric always enfolds the possibility of the epiphanic . Thus , Ashbery commences a reconsideration of the relation between eros and the lyric . The poems of Ashbery and ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York