The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 221
... marks , so concrete poets from Apollinaire to Johanna Drucker have drawn out the shapes of letters and punctuation marks . Rachel Blau DuPlessis in Tabula Rosa and Kathy Acker in Don Quixote have exploited the intractably deviant ...
... marks , so concrete poets from Apollinaire to Johanna Drucker have drawn out the shapes of letters and punctuation marks . Rachel Blau DuPlessis in Tabula Rosa and Kathy Acker in Don Quixote have exploited the intractably deviant ...
Página 222
... mark , an interval between words and phrases . In " Artifice of Absorption " Bernstein thanks “ ee cum- mings for his typ ... marks that ad bîn “ provoked ” ay △ fork , of à grave Brofèsor ; àth é's Brèak - fast - table ; ; acutely ...
... mark , an interval between words and phrases . In " Artifice of Absorption " Bernstein thanks “ ee cum- mings for his typ ... marks that ad bîn “ provoked ” ay △ fork , of à grave Brofèsor ; àth é's Brèak - fast - table ; ; acutely ...
Página 249
... marks after " dropped " and " go . ” Ashbery's punctuation divides the monologue into two " parts " or roles : one asks elliptically , the other responds rhetorically . One may wake up alone , but the musically implied other allays his ...
... marks after " dropped " and " go . ” Ashbery's punctuation divides the monologue into two " parts " or roles : one asks elliptically , the other responds rhetorically . One may wake up alone , but the musically implied other allays his ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York