The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 280 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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... mode , " Molesworth argues . “ A mode demands less aesthetic energy than a truly indi- vidual style but usually offers more gratification than the average school or ' movement . ' " " So , Molesworth begins the important work of ...
... mode , " Molesworth argues . “ A mode demands less aesthetic energy than a truly indi- vidual style but usually offers more gratification than the average school or ' movement . ' " " So , Molesworth begins the important work of ...
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... mode of cele- brating love . But only his abstraction makes lovers ' time a condition of lovers ' discourse and thus frees that discourse to speak of and within an entire life . One might generalize from this example to suggest that in ...
... mode of cele- brating love . But only his abstraction makes lovers ' time a condition of lovers ' discourse and thus frees that discourse to speak of and within an entire life . One might generalize from this example to suggest that in ...
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Ashbery and Contemporary Poetry Susan M. Schultz. sality does constitute our most comfortable mode of accountability ... modes of cul- tural production . To perceive art is to distance oneself from the ideological horizons of reality so ...
Ashbery and Contemporary Poetry Susan M. Schultz. sality does constitute our most comfortable mode of accountability ... modes of cul- tural production . To perceive art is to distance oneself from the ideological horizons of reality so ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York