The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 16
... never escaping from cliché , he seems to speak a radically inauthentic language : the language of a poetry ... never more than a silent complicity between the poet and his reader , alluded to but never explicitly mentioned . Not for ...
... never escaping from cliché , he seems to speak a radically inauthentic language : the language of a poetry ... never more than a silent complicity between the poet and his reader , alluded to but never explicitly mentioned . Not for ...
Página 55
... never totally audible Or understandable , and one wakes Wishing to hear more , asking For more , but one wakes to death , alas , Yet one never Pays any heed to that , the tale Is still so magnificent in the telling That it towers far ...
... never totally audible Or understandable , and one wakes Wishing to hear more , asking For more , but one wakes to death , alas , Yet one never Pays any heed to that , the tale Is still so magnificent in the telling That it towers far ...
Página 67
... never suffice for the endlessly redirected journey he is on . But Ashbery is not an en- tirely gratuitous dreamer either , and his poetry is based on the premise that we never really give up " the prospector's hunch " : " the reasons ...
... never suffice for the endlessly redirected journey he is on . But Ashbery is not an en- tirely gratuitous dreamer either , and his poetry is based on the premise that we never really give up " the prospector's hunch " : " the reasons ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York