The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 20
... object costs Precise the Object's loss- Perception in itself a Gain Replying to it's Price - 20 | Jonathan Morse.
... object costs Precise the Object's loss- Perception in itself a Gain Replying to it's Price - 20 | Jonathan Morse.
Página 102
... objects as thoroughly as the collagist Joseph Cornell and who turn writing into explicit objects of collage . Ashbery's ... object and its nimbus of sensations , wrapped in one package , thrust at the viewer , here , now , inescapable ...
... objects as thoroughly as the collagist Joseph Cornell and who turn writing into explicit objects of collage . Ashbery's ... object and its nimbus of sensations , wrapped in one package , thrust at the viewer , here , now , inescapable ...
Página 146
... object of meditation , and during the midseventies , Nixon serves as an " object of meditation " that is banished . A discussion of Ashbery's use of the convex mirror trope can shed light on the workings of both phenomena . Put simply ...
... object of meditation , and during the midseventies , Nixon serves as an " object of meditation " that is banished . A discussion of Ashbery's use of the convex mirror trope can shed light on the workings of both phenomena . Put simply ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York